American Artist . b.1808 d.1874 American painter of Swiss birth. Before 1822, his father, Jean-Baptiste de Troy, a sculptor of minor fame, moved his family to England, where Edward was instructed in drawing and perhaps painting. The animal painter Jacques-Laurent Agasse knew the family well. Troye wrote in 1857 that he was trained in London by the best masters and stated that he followed the style of George Stubbs and John N. Sartorius. In 1831 Troye arrived in Philadelphia, where he was employed as a magazine illustrator. The following year he exhibited animal subjects at the annual Pennsylvania Academy of Fine Arts exhibition and rapidly found patrons among racehorse owners. His typical works show motionless, unsaddled and riderless animals against a low horizon   Related Paintings of Edward Troye :. | Bazille at his Easel | Madonna and Child with SS.Mat-thew and Nicholas of Bari | The Jazz Singer | brittiskt trupplager vid himalayas fot | Sundown at Lake Grunewald |
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BRUSASORZI, Domenico
Italian painter, Veronese school (b. 1516, Verona, d. 1567, Verona)
Maurycy Gottlieb
Drohobytsch, February 21/28, 1856 - Krakew, July 17, 1879) was a Jewish painter, of Polish-speaking Galician Jews from the western part of Ukraine. He was born in Drohobych (at that time Austria-Hungary), Galicia, modern Lviv region, western Ukraine. Maurycy was one of Isaac and Fanya Tigerman Gottlieb's eleven children. At fifteen, he was enrolled at the Vienna Fine Arts Academy. Later, he would study under Jan Matejko in Krakew. However, he experienced anti-semitism from his fellow students, and left Matejko's studio after less than a year, he then traveled to Norway settling in Molde. After several years he returned to Vienna to pursue his Jewish roots. At twenty, he won a gold medal from a Munich art competition for Shylock and Jessica (at right), showing a scene from Shakespeare's The Merchant of Venice. He based Jessica's face on that of Laura Rosenfeld, to whom he had proposed marriage. However, Rosenfeld rejected his proposal, and wed a Berlin banker. Gottlieb then planned to marry Lola Rosengarten, but when he heard about Rosenfeld's marriage he committed suicide by exposure to the elements, dying of complications from a cold. Despite his early death, more than three hundred of his works survive, though not all are finished. After the fall of the Iron Curtain, many Polish collections unknown in the West were discovered, and his reputation grew greatly. His brother, painter Leopold Gottlieb, was born five years after his death.
John William Inchbold
1830-1888 English painter. He spent his early years in Leeds, where his father was a newspaper proprietor, but came to London around 1846 to study lithography in the firm of Day & Haghe. His obituary in The Athenaeum records that he went on to study at the Royal Academy Schools, but his name does not appear in the registers. He exhibited watercolours at the Society of British Artists in 1849 and 1850 and at the Royal Academy in 1851. At this period his work has a fluidity and a freedom of handling that is closer to Richard Parkes Bonington than to the prevailing style of Victorian watercolours. Around 1852 he came under the influence of the Pre-Raphaelite movement and radically altered his style. His oil painting of the Chapel, Bolton (exh. RA 1853; Northampton, Cent. Mus. & A.G.) is a meticulously rendered view of the abbey ruins in the Pre-Raphaelite manner. This was followed the next year by At Bolton (Leeds, C.A.G.), another view of Bolton Abbey, this time with a deer prominent in the foreground. Both paintings illustrate lines from William Wordsworth's poem 'The White Doe of Ryleston'. Wordsworth was also the inspiration for the small painting Study in March